Artist Statement

My work begins with the body—how it moves, how it occupies space, and what it reveals beyond words.

My background in movement and performance has shaped the way I look. Years of experiencing the body from within have made me attentive to gesture, tension and the subtle space between intention and instinct. I am interested less in performance itself than in what emerges around it: presence, vulnerability and moments that resist definition.

I approach photography through observation and intuition. I rarely begin with a fixed image in mind, preferring to leave space for dialogue, movement and chance to shape what happens in front of the camera. Whether working with performers, artists or people unfamiliar with being photographed, I look for the moment when something shifts—when the body stops representing and simply becomes.

Across personal and commissioned work, I am drawn to simplicity and ambiguity. The body can become form, gesture can become language, and the familiar can become slightly uncertain. I am interested in images that seem to exist somewhere between what is seen and what is remembered, where fragments of reality can suggest something that cannot be fully named.

I don't seek to impose a single meaning on an image. I prefer to create space—for the photograph to remain open, and for the viewer to bring something of their own to it.